Top Ten Films Of 2019 (Scott Gilliland)

In less in 3 weeks 2019 will be over, it’s time to write our Best/Worst Films lists. We will be bringing general lists at the end of the month, today it’s one of the writers. Today it’s Scott Gilliland‘s Top Ten Films.

Scott is one of our new writers and has taken up the challenge of delivering his best films. Like everyone here at The Peoples Movies and you our readers, his best and worst films will be different. The choices are subjective and no one will criticise any writer. Just respect their choices embracing the diverse choices. Of course there will be some we’ll expect, some we didn’t maybe some that will shock you too…

Not every writer at the site is from the UK, some are from other parts of the world. So at times there maybe a film that’s not out yet or that writer considers the film released the year they watched.

Joker

our review)

Parasite

It is fair to say that Parasite is this year’s Roma. A foreign language film that crosses over into public consciousness. If it doesn’t receive Best Picture nominations, then there is something odd going on in Hollywood. From a technical standpoint, it is an unbelievable film. Following a trend of most of the films this year, Parasite is raw and unflinching. There is no hiding with this film, much like almost all of my chosen list. It just feels like the kind of year where all of these films are needed and personally, Parasite leads that pack by a comfortable distance. (watch Trailer)

The Farewell

our review)

Us

our review)

The Favourite

our review)

If Beale Street Could Talk

our review)

Disobedience

For a lot of films chosen, with Disobedience is full of raw emotion. The performances by the three leads are raw, the love scene between Ronit and Esti is as raw as you will see. Though the plot is obvious the acting, cinematography and direction guide the viewer through the lives of three broken people. Ronit, broken by having to leave her family and faith because of her sexuality. Esti, by not being as brave as Ronit and dealing with those consequences. And Dovid who knows his future without getting a choice in the matter. Director Sebastian Lelio doesn’t let us breathe throughout the film, framing the audience close. A subtle and delicate adaption.

For Sama

Pain and distress are clouding this world at the minute and this is no better shown than in For Sama. It is often easy to forget of the chaos going on in war-torn countries and to get this reality check is important for everyone. This is an intimate depiction of an issue that should be known worldwide. Grief never leaves from the first minute to the last, be it for lost families or lost towns to lost societies. But hope tries to make it’s the way through. Maybe all of these people’s suffering wasn’t for nothing. A skilful film that will and should affect you.

Pain and Glory

our review)

The Last Black Man in San Francisco

As If Beale Street Could Talk started 2019. Rightly, The Last Black Man in San Francisco bookends it. Where James Baldwins film shows us the harsh reality Joe Talbot attempts to show that there is a strong case of hope with the poignant and wonderful film. While the cast and writing are particularly strong hear the cinematography heightens it immensely.