NYX UK February Line up Will Be ‘Gothic’ And ‘Gory’

NYX UK enhance their February line up with more cult sci-fi, gory exploitation, gothic terror and supernatural scares.
Yesterday we learned about the Women In Horror and Zombie Weeks. Today they share the details on the channel premieres,including provocative Israeli psychological thriller BIG BAD WOLVES. Aharon Keshales and Navot Papushado, darkly comic, thought-provoking and harrowing experience, earning worldwide critical acclaim, streaming on Friday 21st February at 9pm.
There are ten other Channel premieres this month, including on Monday 24th February (9pm) is Herschell Gordon Lewis’s splendid slatter-fests TWO THOUSAND MANIACS! and THE WIZARD OF GORE (Wednesday 19th February, 9pm). Other cult classics include PARASITE (Wednesday 26th February, 9pm) directed by the legendary ‘Puppetmaster’ Charles Band, Bob Clarke’s campy zombie horror CHILDREN SHOULDN’T PLAY WITH DEAD THINGS (Sunday 23rd February, 9pm) and Jeff Lieberman’s worm-infested SQUIRM (Friday 28th February, 9pm).
Related: Women In Horror And Zombies At NYX UK In February
European horror will play a big part next month on NYX UK. With the channel premieres for Jesús Franco’s erotically charged LORNA THE EXORCIST (Friday 14th February, 9pm), and Lucio Fulci’s THE PSYCHIC (Thursday 20th February, 9pm),
British 50s horror classics also feature, with two seminal works of science fiction horror, directed by Val Guest – QUATERMASS 2, and THE ABOMINABLE SNOWMAN, which Is presented by FrightFest Saturday Night Scares with Alan Jones.
There is also a Channel premiere for Dan Curtis eerie supernatural horror THE NORLIS TAPES, which screens on Thursday 27th February, 9pm.
Plus, Thursday nights at 7pm sees the continuation of GALVASTON’S CAVERN OF CREEPS, a wickedly entertaining horror-comedy series where Galvaston, a snarky demon on a quest to unleash the apocalypse, ends up bonding with Jack, a clueless but lovable horror movie enthusiast. Season One continues with the Channel premieres of two cult classics: Roger Corman’s THE WASP WOMAN (1959) and Fred F. Sears’ THE GIANT CLAW (1957).
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