EIFF ’18 Review – Mary Shelley (2018)
It's impressive to think that a period tale set in the early 1800s could have a contemporary resonance in 2018,...
It's impressive to think that a period tale set in the early 1800s could have a contemporary resonance in 2018,...
Maggie is beautiful, Maggie is forthright, Maggie makes everyone cherish her friendship. However, love is messy for Maggie (an illuminating Greta...
"Here We are, born to be kings, we're the princess of the universe",30 years ago Queen where the kings of...
Alright geezers, are you ready for this review of new Brit-flick White Island? Benjamin Turner's Ibiza set-crime thriller sees former...
Brit horror FirstBorn received its world premiere at the Edinburgh International Film Festival with some high expectations. The project sees...
Patrick Wilson and Ian McShane take on the cartel in contemporary western meets Mexploitation flick, The Hollow Point. Director Gonzalo...
"I'm the love witch. I'm your ultimate fantasy" glamorous Elaine seductively exclaims in Anna Biller's gorgeously lavish occult film, The...
Film festivals are great for providing us with marvellous little curiosities like Guillaume Nicloux's The End in which he re-teams...
An adaptation of any existentialist novel is bound to be a challenge for even the most experienced of filmmakers, let...
Polish fairytale The Lure is quite unlike anything else to be shown at this year's Edinburgh International Film Festival or...
The first of two new Gerard Depardieu films to play the Edinburgh International Film Festival this year is Saint Amour,...
Isabel Coixet's Endless Night (Nadie quiere la noche) pits a woman against the Arctic elements in this inconsistent yet entertaining...
Alex Helfrecht and Jörg Tittel's The White King feels like it is aiming somewhere between The Hunger Games and Stand...
Jamie M. Dagg's first time feature as both writer and director, River, shows promise of great things from the filmmaker....